ATTENTION & EMOTION

Cinema has long been recognized as a medium that captivates audiences and evokes deep emotional responses. Now, we have concrete evidence to support this claim.

Through a series of research studies conducted in collaboration with Professor Jelle Demanet at Apollo 8, we have gained valuable insights into the implicit and neurological aspects of audience engagement.

 

In previous studies, we demonstrated that larger screens result in a greater emotional impact, and we were the first to introduce multi-platform attention measurements in 2018. Our research revealed that cinema advertising achieves an impressive 85% active attention from viewers. To put this into perspective, we compared these results with other media, such as print, online, and TV, and even calculated the actual cost of active attention per medium.

Building on our previous findings, we continue to innovate by harnessing the power of AI algorithms and advanced measuring tools. Our research takes place in a real cinema environment, with a genuine and unbiased audience experiencing a normal viewing experience. By discreetly positioning cameras capable of facial and emotion recognition based on AI technology, we are able to capture and analyze audience responses without disrupting their movie experience.

Technical aspects of our research involve setting up a 4K camera below the screen to capture a significant portion of the audience. In our latest study, we had a minimum of 84 respondents at any given moment. The recorded content is then analyzed by Dr. Jelle Demanet, who utilizes scientific knowledge and AI algorithms to detect active attention and emotional states throughout the ad-reel. Every frame is labeled with the percentage of the audience looking at the screen and the corresponding emotional response.

Our findings demonstrate that cinema advertising maintains 81% active attention throughout the ad-reel, a level unmatched by most other media. Furthermore, we discovered that longer ads capture more attention than shorter formats, making them ideal for conveying engaging narratives on the big screen.

 

 

Interestingly, our research highlighted that viewers pay particularly high attention to the jingle introducing the ad-reel, resulting in positive emotions. This suggests that audiences are actually happy when the ads begin, challenging the perception that ads are universally disliked.

 

 

To illustrate our results, we showcased an ad for Payconic by Bancontact, analyzing positive emotions and attention frame-by-frame. The humorous moments in the ad generated positive responses from viewers, with consistent attention and emotional peaks observed across different audiences and locations. Payconic also performed exceptionally well in terms of brand recall and awareness.

In conclusion, our research demonstrates the unparalleled audience engagement and emotional impact that cinema advertising offers. By participating in our Black Box events, advertisers can gain valuable insights into how their ads are perceived and make informed decisions to maximize their campaign’s effectiveness.

 

Contact us at whatisblackbox@brightfish.be or visit whatisblackbox.be to embark on the next Black Box event and unlock the potential of your advertising strategy on the silver screen.

https://www.brightfish.be/brightfish-stagi/wp-content/uploads/2023/06/Attention-example.webm

share this post

RELATED CASES

My favorite piece of creative work – Ella Van Cappellen

‘Save Ralph’ has always stuck with me since the first time I saw it. Everything about this video is spot on: from the documentary style to all the little det…

Young Lions 2024 Competition

GREAT NEWS! We’re taking our Cannes Lions Representative-ship to the next level this year. In partnership with Hey! we’re sending 7 teams of Young Lions Tale…

My favorite piece of creative work – Isah Waes

The Tampon Book is one of my favorite PR cases. In its simplicity, it’s a very clever way to raise awareness about a social problem, and most importantly:

Article 1. Organization

The competition, which is part of the ‘Brightfish Movie Poster’ campaign, is organized by Brightfish NV, Eeuwfeestlaan 20, 1020 Brussels. No correspondence or telephone conversations will be held about the course of the competition or the application of the regulations.

Article 2. Participation

Any employee of a company within the sector of advertisers, media agencies or creative agencies may participate, with the exception of the employees of the organizers, the companies (including staff and employees) involved in the organization of the competition. Only fully completed answer forms are eligible to enter the competition. You can only participate once. A maximum of one prize will be awarded per participating company. In the event of multiple answers, entries or submissions, Brightfish will only take the first entry received into account.

Article 3. Privacy

The personal data that Brightfish NV collects about the participants will only be used in function of this competition and will not be further shared with third parties. For further questions regarding how Brightfish handles personal data, you can always refer to Brightfish’s general privacy conditions: brightfish.be/privacy-policy. By participating, every participant automatically grants Brightfish NV the right to publish his/her personal details as winner(s).

Article 4. Prizes

Entrants who answer correctly to the competition questions will be eligible for the top prize of a 1-week cinema campaign during the summer of 2026. The prize is not convertible into cash or other goods or services. When a prize has been awarded, Brightfish NV cannot be held responsible for damage or loss of the prize by the postal services or a delay in receipt. Printing, spelling and typesetting or other such errors cannot be invoked as grounds for any obligations whatsoever on the part of Brightfish.

Article 5. Regulations

Participation in the competition, organized by Brightfish, immediately implies the unconditional acceptance of these regulations. The prize draw is overseen by Brightfish. The decisions are unchallengeable and irrevocable. Any disputes fall under the exclusive jurisdiction of the courts of Brussels or Ghent. Brightfish may change certain parts of these regulations for organizational or legal reasons, without prior notice or further notice afterwards. Period of participation is valid between 30/03/26 and 04/05/26.